Stuyvesant & Grey

Harris Stuyvesant: Bureau of Investigation agent out of his depth, first in England during the 1926 General Strike (Touchstone), then in Paris during the sweltering confusion of September, 1929 (The Bones of Paris). 

Bennett & Sarah Grey: a brother devastated and transformed by the War, a sister working hard to set the world aright.

Stuyvesant & Grey: a series that explores the turmoil of Europe between the Wars, the human need for touch, and the terrible dangers in friendship.


 

Touchstone

It’s eight years after the Great War shattered Bennett Grey’s life, leaving him with an excruciating sensitivity to the potential of human violence, and making social contact all but impossible. Once studied by British intelligence for his unique abilities, Grey has withdrawn from a rapidly changing world–until an American Bureau of Investigation agent comes to investigate for himself Grey’s potential as a weapon in a vicious new kind of warfare.  Agent Harris Stuyvesant desperately need Grey’s help entering a world where the rich and the radical exist side-by-side—a heady mix of the powerful and the celebrated, among whom lurks an enemy ready to strike a deadly blow at democracy on both sides of the Atlantic.

Here, among a titled family whose servants dress in whimsical costumes and whose daughter conducts an open affair with a man who wants to bring down the government, Stuyvesant finds himself dangerously seduced by one woman and—even more dangerously—falling in love with another. And as he sifts through secrets divulged and kept, he uncovers the target of a horrifying conspiracy, and wonders if he can trust his touchstone, Grey, to reveal the most dangerous player of all…

 

The Bones of Paris

Paris, France; September, 1929. For Harris Stuyvesant, the assignment is a private investigator’s dream—he’s getting paid to troll the cafés and bars of Montparnasse, looking for a pretty young woman. The American agent has a healthy appreciation for la vie Bohème, despite having worked for years at the U.S. Bureau of Investigation. The missing person in question is Philippa Crosby, a twenty-two year old from Boston who has been living in Paris, modeling and acting. Her family became alarmed when she stopped all communications, and Stuyvesant agreed to track her down. He wholly expects to find her in the arms of some up-and-coming artist, perhaps experimenting with the cocaine that is suddenly available on every rue and boulevard.

As Stuyvesant follows Philippa’s trail through the thriving, decadent expatriate community of artists and writers, he finds that she is known to many of its famous—and infamous—inhabitants, from Shakespeare & Co’s Sylvia Beach to the Surrealist photographer Man Ray. But when the evidence leads Stuyvesant to the Théâtre du Grand-Guignol in Montmartre, his investigation takes a sharp, disturbing turn. At the Grand-Guignol, murder, insanity, and sexual perversion are all staged to brutal effect in short, gut-churning acts. Depravity as art; savage human nature on stage. Soon, it becomes clear that one missing girl is a drop in the bucket. Here, amid the glittering lights of the cabarets, hides a monster whose artistic coup de grace is to be rendered in blood and gore. And Stuyvesant will have to descend into the darkest depths of perversion to find a killer . . . sifting through The Bones of Paris.

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